The collection XIV - spring 2006

De-regulation

with the work of Kutlug Ataman

WORKS IN MEAT

Jan Fabre

HOMO FABER

Jan Fabre

Jan Fabre is one of our most important artists, to this idea most people can easily subscribe. But where that importance lies isn’t always that clear. It is just as unclear as how the multiformity of his practise is to be approached as a whole. Is Fabre a visual artist who also makes theatre, opera and dance? Is he a theatre artist who also draws, makes sculptures, installations and films? What is his importance as an author; as a choreographer,…? The exhibition at the M HKA wishes to form a basis from which Jan Fabre’s entire oeuvre can reassessed.

Tommy Simoens Pattern Recognition

Mira Sanders L’Union – de Unie, 2006

ERGENS / SOMEWHERE

Collectiepresentatie XVI: Attributen en Substantie

6th International Biennial of Contemporary Art in Shanghai

ACADEMY. Learning from Art

Two overarching motifs converge in the exhibition at M HKA: that of the school or “academy” itself – the place where various art practices and theories are being taught and learned – and, more importantly, that of a broader assertion of “art” as a pedagogical experience in itself, in which both the museum and art as such are viewed as environments for various experiments in “learning and teaching”.

ACADEMY Antwerpen: Douze

ACADEMY kunst en publieke ruimte

PRESENTATION DE LA COLLECTION XVII

… en double

THE PROJECTION PROJECT

durven denken, durven dromen

REAR WINDOWS