Exhibitions

Bruno Zhu’s In Situ commission materializes an imposing set of revolving walls hung on the two central pillars in the exhibition space. Operating like two gears engaged in each other, the artist’s site-responsive passageway disrupts the open space, forcefully creating two separate zones.

The first solo exhibition of Berlin-based Polish artist Agnieszka Polska in Belgium, 'Flowers on the Sun', features a selection of recent works, including her latest film, 'The Book of Flowers' (2023), created with the assistance of AI-powered tools. The artist initially used stop-motion animation footage of flowers from the 1950s, which was then transformed into AI-generated imagery.

Creating and cultivating meaning stand at the heart of Vedran Kopljar’s art. In his practice—which includes painting, video, performance and words—Vedran Kopljar continuously searches for and experiments with different systems used to create meaning.

Viktor Brim is an artist who portrays the relationship between power and the exploitation of the natural landscape.

The exhibition articulates and celebrates the common ground that comes alive through their work. Beyond their specific approaches to painting, storytelling and design, the two practices have in common to acknowledge interiors, and by extension interiority, as an essential place that contributes to the development of resilience, freedom, and, most importantly, the conception of new imaginaries.

Ignace Cami is an artist that gives obsolete things renewal. Playing with the notion of ‘heritage’, he questions its place as being part of the natural law of society, whilst creating the conditions for its contemporary purpose and application.

Under the moniker of Tenant of Culture, Hendrickje Schimmel works with fashion as a trained fashion and textile practitioner, but does so from the perspective of the field of contemporary art.

Tarik Kiswanson is a visual artist and a poet. His various bodies of work engage with subjects related to rootlessness, memory, learning, heritage and ultimately identity development. Always operating at the intersection of different cultural contexts, traditions and languages, his work poses fundamental questions such as: What is heritage? What is the body? How does memory operate? How are these notions affected by displacement and time?